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All in-store sales of Sabine’s work are 10% off this month. Tell us a little about yourself. My interest in art was stirred by my art teacher in Germany who introduced us to many art forms, let us experiment with different mediums, and took our class to visit art museums. But it was not until the early 90s that my focus changed from admiring other artists work to getting actively involved in the creative process. When I took a stained glass class I knew that this is what I wanted to do. I find the process of making a stained glass piece deeply satisfying, and seeing how the light enhances the colors and textures of the finished artwork is always exciting to me. How long have you been part of Commonwheel? 9 years What does making art mean to you? Working with glass makes me happy and gives me inner peace. I strive to combine form, texture and color into a harmonious piece of artwork that will transform and brighten the surrounding space. Nobody said it better than Louis Comfort Tiffany: “Color is to the eye what music is to the ear”. What are you currently working on? Currently I am finishing up some nature pieces and am starting to create smaller suncatchers as well as fused glass jewelry for our upcoming Holiday Market. Tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works. My process starts with drawing a design followed by the selection of glass. This is the creative and most crucial part and applies to large windows as well as to my smaller table art and suncatchers. After that it is mostly craft: cutting, grinding, foiling, soldering, reinforcing and applying patina. Most of my pieces are done using the copper foil technique which was made popular by Louis Comfort Tiffany as it allows for more intricate designs than the traditional lead came. What reaction do you want of the public looking at your artwork? Adding a stained glass art piece to a room will transform the mood of the space and I hope that my composition of color, texture and movement will brighten the viewer’s spirits. What is your favorite piece recent work? And why? I like them all. Where can we find your work?
Only at Commonwheel Artists Co-op.
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 by Nancy Lindenmier We have been with the Commonwheel Artists Co-op since April 2017. We would like to see people be carried away to a happy place while looking though our scopes. Each kaleidoscope is decorated differently and depends solely on how the piece speaks to me as it unfolds. I have a Bachelor of Fine Arts degree from the University of Colorado. My first passion was for watercolors inspired by a tropical scene that hung in my grandmother's house and now hangs in my home. From the time I could pickup a crayon I tried to recreate that picture and have been painting ever since. I've been in numerous juried shows around Colorado over the years. I have dabbled with pottery, raku and jewelry with a fair amount of success, but landed on my real passion by serendipitous chance when on vacation in Arizona. While we were taking the scenic route between Prescott and Sedona, we stopped in an old copper mining town clinging to the side of a mountain called Jerome, Arizona for Alan to get a cup of coffee. Since I don't drink coffee I crossed the street and discovered an amazing shop called Nellie Bly's. We spent the next three hours fascinated by the glorious, colorful and magical world of kaleidoscopes of all shapes and sizes from one inch to five feet tall. We have taken several classes that have been offered each year since then and have fallen in love with the magic of kaleidoscopes. They are not only beautiful, but fun to make. We feel that the kaleidoscope promotes healing, decreases stress, helps focus, calms the body and the mind. In the late 1980's and 1990's, teachers reported that hyperactive students that looked through a scope for just two minutes had greater attention spans for up to two hours. Those teachers reported that this simple activity lowered blood pressure, heart rate and excitability levels. Basically, if you don't like what you see, a simple turn will bring another wonderful image into view. No two scopes are the same as each has different colors inside or out and each one also enjoys a variety of materials and enhancements that could never be copied exactly. Each kaleidoscope prompts new ideas and creative directions to travel that are as exciting to make as they are to view. Currently, we are able to seriously pursue our art and reconnect with the Colorado Springs Art Community. We are enjoying getting involved with other like-minded artists and meeting new people. We are also taking great pleasure in the camaraderie and support from a group that understands the creative process, as well as the fun and challenge of doing something you love. Our work is only available in the Commonwheel Artists Co-op. We are currently exploring upcycling items into kaleidoscopes as well as some larger pieces. Here is a photo of the latest scope in the new upcycled series.  Upcycled Kaleidoscope by Nancy and Alan Lindenmier Compiled by Juanita Canzoneri Our annual Holiday Market opens this Friday. We asked all of this year’s participants a few questions to help you get to know them a little better. So, let us introduce you to a few of this year’s artists. Connie Lorig  metal ornaments by Connie Lorig In a short paragraph, tell us about yourself. I'm a native of Colorado Springs and 41-year Manitou resident. I've been a jewelry artist for more than 30 years and am primarily self-taught. In 2010 I began experimenting and fell in love with mixed metal cold connections. I work primarily in copper and brass with accents of pewter, silver, niobium, iron, and any other fun metals I can find. I love vintage brass and copper pieces, and often incorporate them in my work. What does making art mean to you? Connie Lorig: Making art takes me from one world to another. I seldom know exactly what I'm going to make when I walk into my studio, but I do know that my creative side will unlock and it's time to play. For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works. Connie Lorig: My Holiday Market ornaments are made from bronze and copper metal clay. I found or created textures and molds that fit the theme: stars, trees, crosses, etc. I hand molded or carved the clay to fit the form, let the clay dry, decorated and sanded the piece if needed and then fired it in my kiln. After firing, all the pieces were polished. Some were then patinated and re-polished. David Smith In a short paragraph, tell us about yourself. I am a retired Air Force pilot living in Colorado Springs and I currently fly for Southwest Airlines. I got started building mosaic tile tables in 2009 after my wife bought one at a craft fair. I looked at the table, said I can do that and my hobby was born. I added trays and wall art a few years ago. I normally try to paint a scene on my tables or I do custom work. Some of the scenes I try to replicate from what I see from my cockpit window!  mosaic table by David Smith What does making art mean to you? I really enjoy the challenge of producing the perfect piece for my customers. It is wonderful to see the expressions on their faces as they see their table, tray or wall art for the first time. I am proud to produce a piece of art that is also functional. As a rule I do not cut the tile, but instead use a hammer to break the tile into pieces and like a jig saw puzzle lay the scene out. Obviously for some of the more complex scenes I do use a tile saw. I have about 30 plastic shoe boxes with pieces of tile in them and many other boxes of glass and specialty tile in my garage  David Smith at his work table For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works. For the trays I try to find nice trays and then picture what kind and color scheme of tile will make the trays uniquely beautiful. Juanita Canzoneri In a short paragraph, tell us about yourself. I’ve been working in mosaics since 2001 and in the fiber arts since I was a child. I’ve seen evidence of a strong correlation between the 2 media in other mosaic artists and have long sought out a way of combining my fiber work with my glass mosaics. What does making art mean to you? I’ve been a maker all my life but for me “art” specifically connotes beauty along with any functionality or utilitarianism. Art evokes emotion, and, for me, emotion evokes touch. So, my work must be able to be touched. For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works. In thinking on how to create “wintery” or holiday art my first thought was to crochet snowflakes out of a very fine cotton thread. Then the task became figuring out what matrix would work best to solidify this fine work. Through trial and error, I hit upon encasing my fiber pieces in clear acrylic resin. It’s a new material for me and I’m still learning my way through the process, but I’m very excited about the results so far.  Resin-encased crochet snowflake ornaments by Juanita Canzoneri What emotions/reactions/thoughts do you want to cause/explore/achieve on the public looking at your artwork? With all my little pieces I strive to evoke a feeling of fun, of joy, and a way to brighten up a dull corner or unused space.  Winter Wonders, mixed-media mosaics by Juanita Canzoneri Michael Baum  Michael Baum at his easel In a short paragraph, tell us about yourself. I started life on the road. My first home was a travel trailer journeying across the heartland of the nation. I think this is where I first fell in love with the landscape and the natural world. I've been on that journey my entire life. I studied fine art and anthropology at Wright State University in Dayton, Ohio, earning a bachelor of fine art degree. My real education began when I journeyed west to Colorado. I’ve been exploring the West almost forty years and barely scratched the surface. I’ve been painting it almost as long and feel like I’m just getting started. The beauty of light playing across the land goes beyond the visual and digs deep into the soul. I work in my studio in Manitou Springs and get out on the road as often as possible, still journeying.  Michael Baum, "Sunrise in the Garden" What does making art mean to you? Making art is the way I respond to the world. It’s the way I communicate with the world. It’s what I give back to the world. For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works. I produce these giclée prints from original oil paintings. In my painting I want to convey my experience in the western landscape—not just the purely visual, but also the feel of a place, how it digs deep into the heart and soul. I want the viewer to experience what I experienced, to have the thoughts and questions I had. I do most of my work in the studio and occasionally painting on site in the landscape. I spend a lot of time gathering images of places that speak to me, both locally and on road trips I take across the Southwest. I don’t just take photos. I take in as much of the environment as I can. Not just how it looks, but how it feels. How does the earth smell? Is there a breeze? What do I hear? What do I feel in this place? Is it lonely? Is it energizing? Is it welcoming? Mysterious? All of this goes with me back to the studio where I try to visually express it in a painting. A key to this is light. Light not only carries the image to our eyes, but delivers the other dimensions of the experience as well. For the whimsical pieces I drop the photo altogether and create the entire image in my mind, but always based on actual experience. A successful painting is one that delivers a total experience.  Michael Baum, "Cottonwood Station" Teri Rowan In a short paragraph, tell us about yourself. My father gave me the gift of a camera when I was six years old. From then on, I was hooked. That little Kodak Instamatic went everywhere I did. In 1993, years on down the line, I began formal training, and soon the student became teacher and artist. Over time I have won awards and worn many hats: dark room technician, studio photographer, tutor in digital art, gallery director and curator. Lastly, and most happily, artist. I find inspiration in many places, in nature, but also song lyrics, books I read, poetry, films and everyday life. I have two series that are currently in production. The first is based a woman’s body metamorphizing into other forms, the second is a fantasy landscape series that features my native Colorado. The most popular images contain parts of the burn scars from the Hayman and Black Forest Fires. Recently I’ve started printing on metal. I am a long way away from the darkroom these days. My work can be found "live" in Commonwheel Artist Co-op, in Manitou Springs, Colorado, where I am a member. What does making art mean to you? It is my way of expressing my inner self. Whether you are looking at a fantasy world of burned trees or a magical mermaid. This is who I am. For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works. I created, “A Winter’s Tale”, for Holiday Market. I knew what photo shoot I wanted to use, as I wanted to embody Colorado, as well of the feeling of Winter. It was a matter of selecting the right image and then going from there. I turned a day scene into evening and added the magic of snow, a crescent moon, some crystalline eruptions, and a snow hare. The photo was originally shot in Black Forest looking towards the mountains.  Teri Rowan, "A Winter's Tale" What emotions/reactions/thoughts do you want to cause/explore/achieve on the public looking at your artwork? When I look at, “A Winter’s Tale”, it brings to me a sense of stillness and peace, as well as a bit of the magic of this time of year. Art is subjective. I don’t create pieces with the hopes of causing a certain response. The viewer will feel something related to their own personal experiences. Sabine Wachs  Sabine Wachs in her studio “The process of taking sheets of colored glass and transforming them into an art piece - big or small, simple or elaborate - is deeply satisfying to me. Stained glass magically changes the atmosphere of any room by filtering and softening harsh light through color and texture. It invites the eye to rest and enjoy a moment of peace and reflection. For the holidays I have created glass pieces that express the spirit of the season and add to a festive mood.” For this year’s Holiday Market Sabine is creating a number of glass ornaments as well as fused glass earrings and necklaces.  Glass ornaments by Sabine Wachs |
Juanita Canzoneri
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