March 16—April 16, 2018
Join us for both of our evening receptions: March 16 and April 6, 5-8 pm.
 
All art involves an artist taking up some media and transforming it into a new form or image that comes from their vision and imagination. Artists take many different types of materials and give them a thorough and dramatic change in form or appearance wherein it undergoes a radical transformation to become a piece of art. Some artists start with a lump of clay or precious stones and metal. They take these materials and mold them into beautiful bits of sculptural art. Other artists begin with a blank piece of paper and by using paints, inks, or photography create an image no one else has created before. Artists transform what most people see as ordinary into something extraordinary, unique to their way of seeing the world.
 
“Transformation” is a gallery show that looks at the journey of three local artists and the materials they use in their creative process.
 
Julia L. Wright, long known for her feather masks and jewelry, has been expanding her artistic palette to incorporate nature photography. As she hikes she takes images along the trail. Then back at home she transforms those photos into kaleidoscopic digital art.
 
Jerry Rhodes starts with clay and transforms it into dramatic vessels and sculptures. His raku work incorporates disparate concepts and elements drawn from a global, temporal, and cultural palate into harmonious designs.
 
Ace McCasland’s jewelry has a rustic, eclectic, industrial feel and for this show she is considering how seeds transform into plants as diverse as grass and trees. Using ancient metal-smith techniques she strives to create modern, one-of-a-kind designs.
 
Julia L. Wright
Talk a little about yourself
Creating art in many forms has been the basis of my life starting with theatre when I built sets and directed others in High School and college. I created a variety of art using a myriad of fibers. Feathers were added to many of my art creations, and I am best known for creating feather masks and other artful accessories using feathers and found objects.
 
I have taken thousands of photographs on my hikes and in many gardens. About five years ago started using my realistic nature and other photos to illustrate my books and journals. And some of them got a bit twisted to fit into the idea I was trying to illustrate.
 
About 2 years ago, I “fell down a rabbit hole of creativity” using my Nature photographs to create abstract, kaleidoscopic and mandala style images. I find a little part of a Nature photo and by playing with it in on the computer; I transform it into a totally different type of image. 

​What does making art mean to you?
When I am in my studio or sitting at my computer, I get totally lost in the process and my imagination can run pretty wild thinking about how to take the materials at hand and create something totally unique and fun.
 
Taking photos on my hikes always has my creative juices flowing. I enjoy watching people try to imagine how I went beyond a simple Nature photograph when looking at my artwork. I am constantly looking for some new way to use the images I begin with to create a bit of awe and wonder when someone sees the finished art.
 
What inspires you in your art?
Nature is my most powerful inspiration. When hiking or passing a beautiful garden, I often stop to take in the amazingly beautiful natural creations that surround me. A driftwood stump or a rock formation or a bit of moss can be as enticing to my eye as a beautiful wildflower. Each one makes my heart sing and my spirit soar with joy when I take the time to really look at the beauty others pass by each day without noticing it.
 
I realize there are hundreds of people who take beautiful Nature photographs, so I wanted to do something a little bit different with mine. I really enjoy finding a hidden piece of a Nature photo to twist and turn into a totally unsuspected image. Watching people look deeply into the images and point out to friends what they see and get a conversation going about that image is a joy to watch.
 
Walk us through your production process.
I take lots and lots of pictures on a hike or in a garden, and then sort through them to find which ones will work for various types of art projects I may be working on. Sitting at the computer, I will crop out extraneous objects for a book illustration or to use in a deck of cards. The real fun comes when I see a piece I want to play with to create a mandala or kaleidoscopic or surrealistic abstract image. Each one of these can take hours and many twists and turns, and sometimes changes to the coloration, to get to the place I feel satisfied with the final image.
 
What reaction do you want to achieve in the public looking at and buying your artwork?
I want people to look deeply into each of the abstracted photographs use their imagination to discover images within them. I want people to use their imaginations and discover a myriad of images within each image. I enjoy asking if they can see the starting image or if it just all melts into one new piece of art.
 
What is your recent favorite piece? And why?
I have had lots of fun creating these images. I do hope some will inspire others to gain an appreciation for Nature and this beautiful planet we live on. But more than that, to let their imagination run wild when looking at stump or rock formation or a bit of moss and see a fantasy creature that may inspire a poem or story to tell their children.
 
I think my most favorite surrealistic image I have in this show is the “Magic Mushrooms Reflected in the Aspen Pond”. What a great hike that was! Actually, hidden in this image is a reflection of my shadow, very hard to see.  The magical feeling of the golden Aspen leaves floating on the water still evokes a feeling of joy I felt on that hike walking through the autumn splendor in silence only broken by the wind and the cry of birds.
 
Here are two sets of images:
Each one has the original image, then the cropped piece I used and the final image that will be at the show. Both came from this hike and have Aspen leaves in them, but from different ponds. Both use most of the original image, but the “Magic Mushrooms“ image has many more twists and changes to it.

​The little piece of driftwood looked like he was praying or looking up on wonder. So “Prayer Circle” came about as a kaleidoscopic image. 

Where can we find your work?
 1. Web sites:
                www.commonwheel.com
                http://julial-wright.pixels.com/
                https://www.hierographicsbooksllc.com
                My books are also on Amazon
                https://www.etsy.com/shop/Fantafaces
And I usually have 2-3 images showing in the Manitou Art Center member Gallery and at Commonwheel Artists Co-op.
 
 
 
Jerry Rhodes
In a short paragraph, tell us about yourself
I think it was 1995 or 1996 when I went to a Renaissance Festival and saw these hand-made beer steins that I really liked.  I was too cheap to buy them, and I was convinced that they were probably really easy to make.  How hard could that be, right?!  So I decided to go to a craft center and teach myself to throw pottery.  After many, many years, I amassed a garage full of ashtrays, flower pots, and a few artistic pieces that were kind of ok.  I decided to take some pieces to galleries in Santa Fe, Taos, Denver, and around Colorado Springs, and the owners actually consigned a few--so that's how it started.  I still consider pottery a bad hobby I got into, and I STILL haven't made a good set of beer steins.

​What does making art mean to you?
I've never really philosophized deeply about what my art means to me.  I don't try to make socio-political statements with my work.  I don't feel I need to create an homage to any genre, trend, style, or palate (although I do favor Raku).  I don't try to emulate famous artists.  I don't care that my technique is all wrong.  I don't have an insatiable urge to create...I just like make pots.  The ultimate satisfaction for me is pulling a piece out of the kiln and saying, "Yeah, that's ok. I like that one."
 
What has inspired you for this show?
My inspiration for this show was forgetting that I signed up months ago to do it, and then panicking and trying to get a bunch of pieces done at the last minute.
 
For this show specifically, tell us about your process.
The process is pretty straight forward: throw the pot, trim the pot, bisque fire the pot, glaze the pot, Raku-fire the pot, hope it doesn't break during any of the steps above. I've posted a few "Befores-and-Afters" on Facebook.  
 
What emotions do you want to explore in the public looking at your artwork?
I'd hope that others looking at my work don't try to overanalyze it or look for profound meaning.  If you like a particular piece, great.  If you think it's crap, that's great, too.
 
What is your favorite piece for sale at this event? And why?
I think my favorite pieces, for now, are the Sagar-fired Bonsai tree pots.  They're not quite where I want them to be stylistically yet, but the technique offers an almost limitless variety of experimental approaches.

Where can we find your work?
I have a website that I haven't updated in years:  www.jerryrhodespottery.com, and galleries in Charleston, San Francisco, New York, Golden & Manitou, and a few other places. 

Ace McCasland
In a short paragraph, tell us about yourself.
we are all seeking, exploring, wondering, dreaming... after years of adventuring and wandering the western landscape, I’ve begun to express these experiences with a variety of artistic mediums. being an avid traveler, I am especially drawn to art you can easily take with you, and even better, wear.  My jewelry designs are earthy yet industrial, eclectic, and unpretentious, often incorporating materials that challenge preconceptions of what is 'valuable'. I experiment with unusual techniques such as hammering annealed metal against concrete or railroad track or melting scraps of leftover silver into a ring band, for a truly unique texture. I create my own chains, jump rings, ear wires, clasps, and much more, finishing each unique piece with heavy oxidation, buffed slightly for highlights, to create an archaeological 'freshly unearthed' creation. I work intuitively, so each day I enter the studio, I rarely know what is going to happen, but the opportunity to elevate something common into something precious is a challenge I look forward to each time, and often surprise myself with the results.
 
What does making art mean to you?
My work can be described as 'wild-crafted metal': inspired by the wild, crafted by hand, incorporating the exquisite textures and patina of metal with minerals, gemstones, found objects, and organic material. My creations embrace personal adornment as small sculpture that is worn upon, and interacts directly with, the body. I seek to create an abstract story with my art, as jewelry especially becomes intimate and expressive for the wearer, in turn becoming a part of their own story.  

​What has inspired you for this show?
For this show, “Transformation”, I am exploring the idea of change, of alchemy, of growth.  The tiniest capsule of a seed holds the most profound and exquisite example of transformation, able to alter itself into a simple blade of grass, or a stately redwood tree. This thought has inspired organic pieces evocative of that moment when a seed first sprouts, that moment of unrealized potential, when slender tendrils reach passionately and determinedly toward the sky. Other pieces are simply inspired by the transformative process of changing raw and often recycled or found materials into wearable pieces of art for the body.
 
For this show specifically, tell us about your process.
I have included a process photo collage that documents the transformation of raw materials, in this case scrap silver, into a ring band: first the scrap is laid out onto a charcoal block, then fire is applied, melting the bits to each other without completely melting it into a shapeless blob. I take this strip and hammer, file, edit, and shape, ultimately forming a ring band.  After studying the shape and potential negative space, I may discover a natural spot to place a gemstone, here, a warm glowing citrine is placed into a hand fabricated prong setting, then the piece is complete. 

What do you hope people to experience when looking at your artwork?
Jewelry is an exquisite medium that allows one to wear art that directly interacts with the body. Jewelry becomes personal and expressive for the wearer and becomes a part of their own story. To be able to create a piece of jewelry that becomes so intimate and meaningful for someone is extremely gratifying as an artist. I often ask the viewer or the wearer to step outside of their comfort zone. Push the limits, bend the rules, poke at the ideals of perfection. I do not seek to express flawlessness, I seek authenticity. I seek the truth within the layers. I seek the nitty gritty, the weathered, the worn, the discarded, the overlooked. We all have rough edges we try so hard to conceal. I choose to reveal those flaws, to embrace the ragged, the wild, the raw. It is in these moments of pushing our own limits, we will discover ourselves.


What is your favorite piece for sale at this event?
to be determined...... possibly meaning it hasn't been made yet... ha!
 
Where can we find your work: website, social media, local stores.
www.studiolunaverde.com
www.instagram.com/studiolunaverde
 www.facebook.com/studiolunaverde 
           
Locally, my work can be found at:
Poor Richard's Downtown (320 North Tejon)
G44 Gallery (1785 S. 8th Street)

We set out to surround Valentines Day and the idea of “love” with a show that will encompass the whole month of February. We put out an open call to artists to submit images of their art that finished the phrase “Love and . . .” and had over a dozen artists respond. Their work is as varied as their answers to the 3 questions we recently posed to them:

1. What prompted the art you submitted for this gallery show? What was your inspiration?
 
2. How long have you been working with the type of art you submitted?
 
3. Tell us a little about yourself.
 
 
Cheryl Lafon
1. What prompted the art you submitted for this gallery show? What was your inspiration?
“Love and finding the perfect partner” is my painting of two sea otters from the Carmel area of California.
I also submitted a painting of owls. They are all babies and best friends. “Love and your best friends.” This was painted with a batik method of watercolor on rice paper. 
 
2. How long have you been working with the type of art you submitted? 10 years

3. Tell us a little about yourself. I'm a retired from 20 plus years in Newspaper Marketing in three newspapers all over the West. I started in sculpture but turned to watercolor. I love the medium. 

Susan Tormoen
1. The inspiration for my painting was a photo I took of my 5-year-old grandson and his best friends at his birthday party.
2. I have been doing pastels for many years but seldom do people.
3. I am an 82-year-old artist that works in pastel and oil primarily. I also do some tapestry weaving. 

Molly Harris
1.  My inspiration was a long-term love interest and the understanding of myself and others that I have derived/am deriving from the experience.

2.  I have been making oil paintings on wood panels for about ten years, and I have been making drawings on antique music paper for about 7 years.
 
3.  I am a self-taught artist, native to Colorado Springs.  I love exploring different artistic styles and different mediums, which seem non-cohesive at the outset, but will eventually coalesce into a cohesive body of work.  Sometimes it takes years for the pieces to fit themselves into place. 

Abraham Eisenstein                    
hear we go, from out of the blue, as deep as a metaphorical mirror, hello to you
                         ...scents of inspiration, vintage two 'n' too!
paint with words, left to right, love of 'rite, soft and tight, 'rythmatic of script sculpture
                                      the big picture plus...
                          in the oddest place, in the artist place
tonight, turning 'rite up yore alley in left field, oceanic mountainous clouds
                                                         the roof of you're cellar
 
 
from thirty-four into approximately seventy... thirty six years in a wilderness of golden would essence 'n' petrified woulds,
pondering the deeper significance of invisible by day in sight of night...
 
 
...retired after 19 years at CMHS, 2005
taught seniors psychology, sociology, gradually becoming psychosocial movement of hearty heady
grew up in NYC, came thru Ellis Island at the age of one, 1949
MA applied Economics, QC ... finished doctorate course work at SUNY at Stony Brook in theoretical Economics
hitched from London to Jerusalem, nine weeks
receiving teaching assistantships at both institutions
ten years of in tense karate training, 3 national team kata awards, junior instructor
invited to train in Japan, JKA for a summer
Columbia University for graduate work, a year of Sports Psychology, NLP
taught at NY Institute of Technology, Queensboro CC, George Washington HS (math)
Colorado ...
 
thank you, dream well
 
 
Suzi Reaves
Suzi’s work is described as “Love and Health and Beauty”
1.  I was prompted to enter this gallery show because I create porcelain essential oil necklaces, which celebrate the heart and love.  They are worn with love of self because they have a purpose.   The necklaces are infused with thieves oil to promote good health, well-being and self-care. The necklaces are given with love to show affection for the recipient.  They are beautiful and have the bonus of keeping the wearer feeling well.  Whether giving the essential oil necklace as a gift or gifting it to yourself, you are showing love and joy.  
 
2.  I have been a ceramic artist since my first pottery class in 1973.  Clay hooked me and I won’t let go.  It is a sensuous media and brings me joy to work with it. I create my pieces by hand, fire it in a kiln then decorate each piece, making each ceramic creation a work of love.  
 
3.  I studied ceramics the first time I went to college in the 70’s.  I had a minor degree in art and have always worked in it.  I married, had a family and needed something to give us health insurance and to work towards a retirement so I joined the U.S. Navy in 1990.  Fast forward twenty-three years and I had earned a retirement.  My family was grown and I was a disabled veteran, though not enough to keep me from doing art.  I took my G.I. Bill and went back to college, this time earning my Bachelor of Fine Arts with an emphasis in ceramics.  I have been happily creating with clay since.  

Julia Wright
1.    My Love of Nature and seeing how disrespectful people have become when caring for the environment in recent years, the quote about who this planet belongs to has been posted around my home for a long time. The photograph I took of a man holding his child pointing off into the distance/future sitting on the grass became something to play with digitally and place them in a more nature filled setting. This image then seemed to be the perfect illustration for that quote.
 
The other images were inspired by Shawn Gallaway's song "I Choose Love" that I have listened to for many years. The idea of the choice between Love or Fear; or Peace and War; Sunshine or a Storm; Laughter or Tears . . . the answer to all those questions is "I Choose Love." The pairing of dragonflies or black swans or a Squirrel with its hand on its heart inside a heart illustrates that choice for me.
 
2.   I have been taking photos on my hikes or in gardens for most of my adult life. Started using them in wall art about 2 years ago and in my books for about 5 years. Sometimes I use them as they naturally appear, other times I play with them more in Photoshop to give them a more abstract or painted look.
 
3.   I have had a respect and love of the natural world all of my life and became involved in the arts when I worked behind the scenes in theater in High School. In College I started working with fibers and going to art festivals and selling in galleries. I am mostly known for my feather masks and jewelry pieces. I began writing books about 5 years ago and they needed illustrations. Most of them are illustrated with my photographs, some I do find elsewhere. The photographic digital art was an easy progression to another level of art to play in with my Nature photos. Using them as they appear naturally works sometimes, but I "fell down a rabbit hole of creativity" and began to manipulate them in a graphic program in ways to add interest. Some feel like you are looking through a kaleidoscope or at a mandala, others are purely abstractions and all invite you to look deeper to find fantastic forms or creatures within each picture. The ones in this show have some manipulation to gain the effect of the focus creature offering love in some form or another to each other or the viewer.
 
 
 
Shirley Paterson
For me, the theme “Love and…” immediately brought to mind—fabric!  Fabric presents endless possibilities of color, pattern, texture, as well as cultural connections and family, personal and emotional ties.  Fabric communicates, even without words. 
 
I have been sewing for nearly 50 years, beginning with outdoor equipment kits and homemaking items.  I am a past president of Piecing Partners Quilt Guild in Colorado Springs, and have participated in a number of shows through the years.  I gravitate toward simple fabric combinations, in hopes of taking advantage of the materials to create something both pleasing and useful.
 
I grew up in Boulder, and graduated from Colorado College (1972).   I worked in a clinical psychology office for many years, while my husband owned a construction company. We have two grown daughters and two grandsons, and have lived on Colorado Springs’ west side for over four decades.   
 
I find the activity of designing and creating sewn items to be stimulating and calming at the same time – also addictive!  Thanks for the opportunity to share some of my creations with you.

​
Ben Bires
1. Being new to Colorado, I wanted to show my gratitude for our surrounding scenery here at the Front Range. Taking walks through these open spaces in nature is my inspiration. I fell in love with the contrast between the bold colors of the red rocks clashing against Colorado’s blue skies.

​2. Within the last year, I have found an appreciation for the versatility of acrylics.
 
I began painting with oils almost a decade ago and for many years, I used watercolors to capture my traveling experiences into landscape paintings. This approach involves a gel medium retarder that slows down the drying process allowing me to treat parts of the painting like oils.
 
3. I grew up in a small town in Western Pennsylvania and spent most of my childhood exploring the outdoors. I attended Slippery Rock University of Pennsylvania and graduated with a BFA in 2014. Three years prior, while in college, a collaborative camping trip with the Art and Geology Departments changed everything for me when we drove across the country in a van to South Dakota’s Badlands National Park. Traveling out West a total of four times since visiting the Badlands convinced me to move before my roots became too deep. During the summer of 2016, halfway in my twenties, I left home with my other half, Liv, and moved to Colorado Springs. After the first month of getting settled, we found our first dog to adopt, Fin. They make my life a whole lot better. I enjoy listening to music with a good beer and great company. You might see me at the dog park or at a local pub.
 
 
 
Dalton Martin
1.  The photographs that I entered were part of the final project in the Photography II course at CSU-Pueblo.  Students were required to enter 3 juried exhibitions, so when I found the information on "Love and....", I thought it would be a great way to show individual work.  Art is all around us, but we pass by it every day without noticing because we don't stop, look up, look around, or take the time to appreciate the details and creations around us.

​2.  This is my second semester college course in photography, so I am new to this art form.
 
3.  I was born in San Diego, California, and moved to Pueblo in 2000 at the age of five.  I live with my parents and two dogs, and family is very important to me.  I have always enjoyed drawing and have the dream to work in the animation industry.  I am pursuing a Bachelor’s Degree in Fine Arts from CSU-Pueblo and enjoy learning and experiencing the various art forms.  My favorite art form is drawing, but I have also enjoyed the courses in painting and ceramics.  I also enjoy movies, Gundam models, Anime, and Marvel comics.
 
 
 
 
Laura Miller Maddox
Love and Reflection (digital photography on canvas)
 
My are is a meditation presented within a 2-dimensional space. Each digital image I create embodies a unique energy guided through the camera’s lens. “Love and Reflection” evokes memories of a lived past transcending time and space. I believe such memories become treasures of the heart.

Julia Wright is a long-time member of Commonwheel Artists Co-op, and our first Artist of the Month for 2018. That means that you get a 10% discount on Julia’s art during January 2018. (In-store purchases only.)

Julia will be part of a gallery show this March along with Jerry Rhodes and Ace McCaasland. 

We asked Julia a few questions. Below are her responses.

Talk a little about yourself 
 
Creating art in many forms has been the basis of my life starting with theater when I built sets and directed others in High School and college. I created macramé costumes for a traveling troupe and very unique wall pieces, in which incorporated found objects. Next, I began to weave natural and hand-dyed wools into some of the macramé pieces and built my version of an Indian Rug Loom to create abstract woven wall art. Feathers have always been part of my art creations. I created mandala style feather wall hangings, and then discovered the concept of making masks with feathers when Manitou held a Mardi Gras celebration many years ago. What fun that was and still is! Creating earrings, hair clips, and pendants was a natural progression to creating artful accessories using feathers and found objects.

I have taken thousands of photographs on my hikes and in many gardens. For about five years started using my realistic nature and other photos to illustrate my books and journals. And most recently, I began to use my realistic photographs to create different types of decks of cards for children and adults.
​
About 2 years ago, I “fell down a rabbit hole of creativity” using them to create abstract, kaleidoscopic and mandala style images by taking a little part of a Nature photo and playing with it in PhotoShop. Currently these can only be seen online and in gallery shows. 

What does making art mean to you?
 
 When I am in my studio or sitting at my computer, I get totally lost in the process and my imagination can run pretty wild thinking about how to take the materials at hand and create something totally unique and fun. It uplifts my spirit to honor the beauty of the feathers used in my masks and jewelry and glorify Nature in various artful ways.
​
I love watching people try to imagine how I went beyond what others did with fibers and feathers, and now photos when looking at my artwork. Working in my feather studio or on a computer or taking photos on my hikes always has my creative juices flowing. I am constantly looking for some new way to use the materials at hand to create a bit of awe and wonder when someone sees the finished art.
 
 
What inspires you in your art? (Are you currently exploring new themes, techniques, color palette, ideas, etc.?)
 
Relating to Feathers: Currently I am inspired to use up as many of the various unique types of feathers hanging around in my studio. Time to be a bit more adventurous when creating masks for Carnivale. For the holidays, including the upcoming Valentines Day, I created some larger pendants with some very fun shiny found objects to dress up even the simplest of dresses.

​Relating to Photography: Nature is my most powerful inspiration. When hiking or passing a beautiful garden, I often stop to take in the amazingly beautiful natural creations that surround me. A driftwood stump or a rock formation or a bit of moss can be as enticing to my eye as a beautiful wildflower. Each one makes my heart sing and my spirit soar with joy when I take the time to really look at the beauty others pass by each day without noticing it.

I realize there are hundreds of people who take beautiful Nature photographs, so I wanted to do something a little bit different with mine. I really enjoy finding a hidden piece of a Nature photo to twist and turn into a totally unsuspected image. Watching people look deeply into the images and point out to friends what they see and get a conversation going about that image is a joy to watch.
​
The idea of using my Nature photos for card decks for children started with the idea of making Flash Cards, but morphed into something totally different. I have seen too many instances of how little respect people have for the natural world and can only hope that by showing how beautiful and fragile wildflowers can be starting with a card game that might inspire more kids to get out and search for them and find other reasons to respect their natural surroundings.

Walk us through your production process.
 
Relating to Feathers: Whether I am creating a feather mask or a piece of jewelry or a wall piece, I first need to clip all the down off the feathers I will be using. For the feather earrings, hairclips and especially for the pendants, I have to lay out the feathers to be sure they will conform to the proper shape. When using pheasant feathers with patterns, the patterns and coloration can change very quickly on each pelt, so I need to be careful to have enough of each pattern to finish a piece properly. I enjoy adding found objects to the pendants and sometimes to the hairclips to give them a bit more interest.
​
Masks are the most playful feathery creations I make. I believe that each one will find a face to cover and inspire the person wearing it to allow their inner child or alter ego to come out and dance and play in ways they normally wouldn’t think about doing unmasked. Manitou Springs has a Carnivale Celebration where people get into costume for the parade and playing all day. A FantaFaces mask is the perfect beginning, or ending for creating your costume for that fun day or any other masked event you might attend. (Ed. Note: Carnivale will be held on February 10, 2018.)

​Relating to Photography: So, I take lots of pictures on a hike or in a garden, then sort through them to find which ones will work for which type of art project. Sitting at the computer, I will crop out extraneous objects for a book illustration or to use in a deck of cards. The real fun comes when I see a piece I want to play with to create a mandala or kaleidoscopic or abstract image. Each one of these can take hours and many twists and turns, and sometimes changes to the coloration, to get to the place I feel satisfied with the final image.

​What emotions/reactions/thoughts do you want to cause/explore/achieve on the public looking at and buying your artwork?
 
Relating to Feathers: When someone puts on a mask, they are transformed. I have seen a dancer become a bird flitting around a crowded art festival or others take on a sinister stance and begin to sneak around the gallery. Almost everyone who puts on a mask connects to something deep inside himself or herself that wants to come out and play. Sometimes a mask will bring out a darker side to a person, but usually it brings out the child inside or some fantasy creature they long to become for a short time.

Relating to Photography, Books, and Cards: I want people to look deeply into each of the abstracted photographs using their imagination to discover images within them. I want people to use their imaginations and discover a myriad of images within each image. I enjoy asking if they can see the starting image or if it just all melts into one new piece of art.

The books I have written have very practical advice and have come from my own experiences. Essential Oils basically saved my life a couple of times. And seeing the huge amount of waste from the Commonwheel Art Festival diverted from the landfill each year is a joy to me, and all the volunteers who helped accomplish that. So, I created a book to help others learn how to recycle and compost at their events.
​
My journals are based on specific themes, but they are not just “blank books”. They have practical advice in the introductions and some photographs related to the journal’s subject. Each one has prompts for a person to fill in the blanks relating to that prompt. And there are extra pages to use to write more about their dreams or their hiking and camping adventures. Some have pages to sketch on or color in heart designs.

What is your recent favorite piece? And why? 
 
Relating to Feathers: I love working with parrot and macaw feathers. They are so brilliantly colorful that they lend themselves to creating very dramatic masks. There is one that is all green feathers would make the perfect mask to create a costume such as Green Man or a garden fairy.

Relating to Photography: I have had lots of fun creating card decks using my nature photographs. The ones for children that have the names of Colorado Wildflowers and can be used to play games such as “Go Find a Wildflower” or “Memory” are my most favorite new works. I hope they will be used to get more children interacting with friends and family, while learning how to identify Colorado wildflowers. And perhaps inspire them to want to go hiking and step away from the TV and computer for a while to gain an appreciation for Nature and this beautiful planet they live on.

I think my most favorite photographic mandala is the tree standing on a rock proclaiming it will survive. Every time I see a tree growing out of a rock, I can relate to its determination to survive in the most challenging of conditions.
 
 
Where can we find your work: website, social media, local stores.
Web sites:
https://www.commonwheel.com/julia-wright.html
https://www.commonwheel.com/store/c49/Julia_Wright.html
http://julial-wright.pixels.com/
https://www.hierographicsbooksllc.com
My books are also on Amazon
https://www.etsy.com/shop/Fantafaces
 
And then there is the Art Festival. I came to Manitou Springs in 1975 to participate in the Commonwheel Labor Day Art Festival. In January of 1976, I moved here and joined Commonwheel Artists Co-op. That summer I helped coordinate the three art festivals. By the end of that year, I was the main coordinator and have been for most of the following years.

​Thankfully, we reduced the number of art festivals from three to just one. I helped these festivals change and grow, starting as we did as a group of hippies who loved and respected hand-crafted art, to a more businesslike venture. It has always only allowed artwork created and shown by the artists at the Art Festival. Local musicians play at the festival to add to the creative atmosphere. Over the last nine years, volunteers have worked hard to make it a very sustainable event by diverting up to 80% of its waste away from the landfill by sorting out compostable and recyclable items.

Each year the artwork displayed has become more and more exciting to see, making it the premiere art festival in the Pikes Peak region. I get to use my creative talents to create the ads for this event that often are brought by people looking to find the artwork of various artists being shown at the Art Festival. ​

Compiled by Juanita Canzoneri
 
Our annual Holiday Market opens this Friday. We asked all of this year’s participants a few questions to help you get to know them a little better. So, let us introduce you to a few of this year’s artists.
 
 
Connie Lorig
​

​In a short paragraph, tell us about yourself.
 
I'm a native of Colorado Springs and 41-year Manitou resident. I've been a jewelry artist for more than 30 years and am primarily self-taught. In 2010 I began experimenting and fell in love with mixed metal cold connections. I work primarily in copper and brass with accents of pewter, silver, niobium, iron, and any other fun metals I can find. I love vintage brass and copper pieces, and often incorporate them in my work.
 
What does making art mean to you?
 
Connie Lorig: Making art takes me from one world to another. I seldom know exactly what I'm going to make when I walk into my studio, but I do know that my creative side will unlock and it's time to play.
 
For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works.
 
Connie Lorig: My Holiday Market ornaments are made from bronze and copper metal clay. I found or created textures and molds that fit the theme: stars, trees, crosses, etc. I hand molded or carved the clay to fit the form, let the clay dry, decorated and sanded the piece if needed and then fired it in my kiln. After firing, all the pieces were polished. Some were then patinated and re-polished.
 
 
 
David Smith
In a short paragraph, tell us about yourself.
 
I am a retired Air Force pilot living in Colorado Springs and I currently fly for Southwest Airlines. I got started building mosaic tile tables in 2009 after my wife bought one at a craft fair. I looked at the table, said I can do that and my hobby was born. I added trays and wall art a few years ago. I normally try to paint a scene on my tables or I do custom work. Some of the scenes I try to replicate from what I see from my cockpit window! 

​What does making art mean to you?
 
I really enjoy the challenge of producing the perfect piece for my customers. It is wonderful to see the expressions on their faces as they see their table, tray or wall art for the first time. I am proud to produce a piece of art that is also functional. As a rule I do not cut the tile, but instead use a hammer to break the tile into pieces and like a jig saw puzzle lay the scene out. Obviously for some of the more complex scenes I do use a tile saw. I have about 30 plastic shoe boxes with pieces of tile in them and many other boxes of glass and specialty tile in my garage

For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works.
 
For the trays I try to find nice trays and then picture what kind and color scheme of tile will make the trays uniquely beautiful.
 
 
 
 
Juanita Canzoneri
In a short paragraph, tell us about yourself.
 
I’ve been working in mosaics since 2001 and in the fiber arts since I was a child. I’ve seen evidence of a strong correlation between the 2 media in other mosaic artists and have long sought out a way of combining my fiber work with my glass mosaics.
 
What does making art mean to you?
 
I’ve been a maker all my life but for me “art” specifically connotes beauty along with any functionality or utilitarianism. Art evokes emotion, and, for me, emotion evokes touch. So, my work must be able to be touched.
 
For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works.
 
In thinking on how to create “wintery” or holiday art my first thought was to crochet snowflakes out of a very fine cotton thread. Then the task became figuring out what matrix would work best to solidify this fine work. Through trial and error, I hit upon encasing my fiber pieces in clear acrylic resin. It’s a new material for me and I’m still learning my way through the process, but I’m very excited about the results so far.

​What emotions/reactions/thoughts do you want to cause/explore/achieve on the public looking at your artwork?
 
With all my little pieces I strive to evoke a feeling of fun, of joy, and a way to brighten up a dull corner or unused space. 

​
In a short paragraph, tell us about yourself.
 
I started life on the road. My first home was a travel trailer journeying across the heartland of the nation. I think this is where I first fell in love with the landscape and the natural world. I've been on that journey my entire life. 
 
I studied fine art and anthropology at Wright State University in Dayton, Ohio, earning a bachelor of fine art degree. My real education began when I journeyed west to Colorado.
 
I’ve been exploring the West almost forty years and barely scratched the surface. I’ve been painting it almost as long and feel like I’m just getting started. The beauty of light playing across the land goes beyond the visual and digs deep into the soul.
 
I work in my studio in Manitou Springs and get out on the road as often as possible, still journeying.

What does making art mean to you?
 
Making art is the way I respond to the world. It’s the way I communicate with the world. It’s what I give back to the world.
 
For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works.
 
I produce these giclée prints from original oil paintings.
 
In my painting I want to convey my experience in the western landscape—not just the purely visual, but also the feel of a place, how it digs deep into the heart and soul. I want the viewer to experience what I experienced, to have the thoughts and questions I had.
 
I do most of my work in the studio and occasionally painting on site in the landscape.
 
I spend a lot of time gathering images of places that speak to me, both locally and on road trips I take across the Southwest.
 
I don’t just take photos. I take in as much of the environment as I can. Not just how it looks, but how it feels. How does the earth smell? Is there a breeze? What do I hear? What do I feel in this place? Is it lonely? Is it energizing? Is it welcoming? Mysterious?
 
All of this goes with me back to the studio where I try to visually express it in a painting. A key to this is light. Light not only carries the image to our eyes, but delivers the other dimensions of the experience as well. For the whimsical pieces I drop the photo altogether and create the entire image in my mind, but always based on actual experience.
 
A successful painting is one that delivers a total experience.

Teri Rowan

In a short paragraph, tell us about yourself.
 
My father gave me the gift of a camera when I was six years old. From then on, I was hooked. That little Kodak Instamatic went everywhere I did. In 1993, years on down the line, I began formal training, and soon the student became teacher and artist. Over time I have won awards and worn many hats: dark room technician, studio photographer, tutor in digital art, gallery director and curator. Lastly, and most happily, artist.
 
I find inspiration in many places, in nature, but also song lyrics, books I read, poetry, films and everyday life. I have two series that are currently in production. The first is based a woman’s body metamorphizing into other forms, the second is a fantasy landscape series that features my native Colorado. The most popular images contain parts of the burn scars from the Hayman and Black Forest Fires. Recently I’ve started printing on metal. I am a long way away from the darkroom these days.
 
My work can be found "live" in Commonwheel Artist Co-op, in Manitou Springs, Colorado, where I am a member.
 
 
What does making art mean to you?
 
It is my way of expressing my inner self. Whether you are looking at a fantasy world of burned trees or a magical mermaid. This is who I am.
 
For this show specifically, tell us about your process—walk us through the steps of your flowing creativity to achieve one of your works.
 
I created, “A Winter’s Tale”, for Holiday Market. I knew what photo shoot I wanted to use, as I wanted to embody Colorado, as well of the feeling of Winter. It was a matter of selecting the right image and then going from there. I turned a day scene into evening and added the magic of snow, a crescent moon, some crystalline eruptions, and a snow hare. The photo was originally shot in Black Forest looking towards the mountains.

What emotions/reactions/thoughts do you want to cause/explore/achieve on the public looking at your artwork?
 
When I look at, “A Winter’s Tale”, it brings to me a sense of stillness and peace, as well as a bit of the magic of this time of year. Art is subjective. I don’t create pieces with the hopes of causing a certain response. The viewer will feel something related to their own personal experiences.
 
 
 
Sabine Wachs

“The process of taking sheets of colored glass and transforming them into an art piece - big or small, simple or elaborate - is deeply satisfying to me. Stained glass magically changes the atmosphere of any room by filtering and softening harsh light through color and texture. It invites the eye to rest and enjoy a moment of peace and reflection. For the holidays I have created glass pieces that express the spirit of the season and add to a festive mood.”
​
For this year’s Holiday Market Sabine is creating a number of glass ornaments as well as fused glass earrings and necklaces.

Artist’s Reception, Friday, July 21, 5-8 pm
July 21- August 14, 2017
 
 
Immersion
by Leti Wesolowski, contributor
 
 
Dan and Kathleen Krucoff, a husband and wife duo, are Commonwheel’s guest artists for the month of July. Dan is a photographer and Kathleen is a metalsmith and jeweler. They have longed to do a joint show featuring both their artwork.
 
Dan came up with the idea for “Immersion” to allow them to relay their love of the water-infused sights in Colorado and other areas they have visited through their respective media.
 
For this show Dan’s work consists of digital landscape photography with water as a central theme. From drops on leaves to ocean vistas, along with roaring waterfalls to still pools, he explores water in its natural forms. His goal is to leave the viewer with the feeling of being in these remarkable, inspiring places. He is focusing primarily on areas around the Pikes Peak region, but is also including subjects from other parts of the state and country.
 
As Kathleen began to develop new works for this show, she sought and found stones that represent water to her. Some pieces incorporate lush green Ocean Jaspers with emerald and gold accents that remind her of ocean waves. Other stones such as Leland Blue or Larimar evoke images of ponds and tranquil lakes. Kathleen has employed a variety of metalsmithing techniques such as Chasing and Repoussé to create seashells, and texturing to create sandy backgrounds in her works.
 
Celebrate with the artists at our opening reception on Friday July 21 at our Creekside Gallery from 5 to 8 pm, as part of the Manitou Springs ArtWalk.
 
This show will be on display and for sale until August 14.
 
 
 
 
 
When Kathleen and Dan were discussing the possibility of doing a joint show, the theme “Immersion” came from him. He thought that both of them could create art work representing water elements. For Dan, it was a great opportunity to share his digital photography and work in partnership with his wife. For Kathleen, an opportunity to incorporate to her work stones that signified water to her and enhance their natural
beauty.

Dan, How did you get interested in photography?

I started in photography in my teens. I was inspired by my mother and her father, who both were interested in photography as well. In addition, my father’s love of the outdoors and wilderness helped push me towards landscapes.
 
What does making art mean to you?​

Making art for me is about sharing a part of my life with others. Whether it is faraway places that I visit or just sharing the experience of something close by and familiar, it is always a small piece of myself that I have the benefit of showing.

What has inspired your artwork for this show?​

As a landscape photographer inspiration is all around me. I always see it that God has done all the hard work and I get the privilege of getting to bring that to others. The water theme of this show ties into this, not only as a subject itself, but also as one of the primary forces that shape the landscapes around us.

What intentions or emotions do you want to express in your artwork?

The intent of “Immersion” for me is to both use water as a focal point of each image and to communicate the feeling of being there. The power and sound that come from a waterfall, or the sense of scale from looking out at the ocean, or the quiet solitude in a still reflective pool, all elicit different feelings to the viewer.​

 
What is your favorite piece at this show and why?

My favorite piece is “Garden of the Gods Reflection”. It is my favorite because it shows how you can always find something new in locations you have been many times before. It was a bit off the beaten path and it was just so peaceful that morning with the refection of the rock formations in the pool of water from rain the night before. This image was done using the technique of High Dynamic Range (HDR). This is where multiple photos are taken at different exposures and combined to be able to show the darkest and lightest parts of the scene in all their detail.

What is your proudest achievement as a photographer?​

I consider my proudest achievement as an artist to be anytime someone decides to make one of my photos a part of their home.

Where else can we find your artwork?
 
Currently you can see more of my work on my website: www.sufferingfomexposure.com and on my Facebook page: facebook.com/sufferingfromexposure
 


 
Kathleen, tell us about yourself.
 
I’ve always been involved creating art. I dabbled with oil painting and fell in love with doing stained glass. Then, in 2007, I started to experiment with fused glass. I would wire wrap the glass cabochons I made. Through those pieces, I met a metalsmith who said she could take my work to the next level. In 2008, I took lessons from her and things just sort of grew from that.
It’s important to me to continue to learn and grow as an artist. Living where I do, I have had the good fortune to take a number of workshops from masters in their field, which has helped my work to improve.
 

What does making art mean to you?

Being an artist is an essential part of who I am. It is as important to my life as breathing is. I am able to express myself through my work. I have always loved working with my hands; metalwork provides some of the fulfillment I seek in my life.

What’s next for you?

I have tentative plans to go to Florence, Italy next year and take another Chasing & Repoussé workshop from the Italian Master Fabrizio Acquafresca. That would be a dream come true.

One of the many things my preparations for the exhibit taught me was to be prepared for change. I am so grateful to see the growth in my work and as an artist. It has been wonderful to collaborate with my husband Dan as he is one of my biggest fans and supporters. I feel very blessed.
 

Where else can we find your artwork?

My work is carried at Boulder Arts and Crafts in Boulder, CO and also at Luma at the Broadmoor here in Colorado Springs.

My website: http://www.kathleenkrucoff.com
My Facebook page: https://www.facebook.com/KathleenKrucoffArtJewelry/
And my Instagram: https://www.instagram.com/kathleenkrucoff/
 
​
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By Leti Wesolowski, contributor
 
Teri started studying photography in 1993. Since then she has won awards and worn many hats: dark room technician, studio photographer, tutor in digital art, gallery director and curator. At an early age, Teri studied dance and she was fascinated with the beauty that could be created so easily and the emotions that could be expressed in utter silence. She has always been naturally drawn to figurative images and human body abstractions.
 
Her digital art compositions start with one of her photographs as her canvas; a long process of digital manipulation takes place until the desired result is achieved. Currently, Teri has two series in production available at Commonwheel Artist Co-op: one is about the metamorphosis of a woman’s body and the other is a fantasy landscape featuring images of the burn scars left by the Hayman and Black Forest Fires of Colorado.                                                                             

Is there a photographer that you admire?
Most recently I have become a fan of the photography of Kristy Mitchell.

Long time favorites are Lee Miller (a fashion photographer turned war photojournalist), Richard Avedon, and Annie Leibowitz. Art that influences me is not necessarily photographic though, or even visual. I’ve been a longtime fan of Terri Windling’s playful fantasy watercolors, as well as her poetry. Neil Gaiman and Charles de Lint are writers whose words fill my mind with strange and wondrous images.
 
What is your proudest achievement?
My proudest achievement had nothing to do with prizes or publications, but when I was offered a space in an arts community to develop a photography gallery. I took the opportunity and ran with it. I did everything from the curating and advertising to mopping the floors. I loved it, often sleeping there. It was intense and supremely gratifying experience.
 
What is your favorite piece or your best seller? What is the story behind it?
My favorite piece is probably, “Metamorphosis”. It is the second piece I created in a series by the same name. It involves a woman metamorphosing into other natural elements. She sprouts wings and scales, in this one, gazing up at an infinite star speckled sky. The inspiration in this series was actually myself, as a 50+ year old woman whose body was undergoing rapid changes, some expected, some not.