Julia Wright is a long-time member of Commonwheel Artists Co-op, and our first Artist of the Month for 2018. That means that you get a 10% discount on Julia’s art during January 2018. (In-store purchases only.)
Julia will be part of a gallery show this March along with Jerry Rhodes and Ace McCaasland.
We asked Julia a few questions. Below are her responses.
Talk a little about yourself
Creating art in many forms has been the basis of my life starting with theater when I built sets and directed others in High School and college. I created macramé costumes for a traveling troupe and very unique wall pieces, in which incorporated found objects. Next, I began to weave natural and hand-dyed wools into some of the macramé pieces and built my version of an Indian Rug Loom to create abstract woven wall art. Feathers have always been part of my art creations. I created mandala style feather wall hangings, and then discovered the concept of making masks with feathers when Manitou held a Mardi Gras celebration many years ago. What fun that was and still is! Creating earrings, hair clips, and pendants was a natural progression to creating artful accessories using feathers and found objects.
I have taken thousands of photographs on my hikes and in many gardens. For about five years started using my realistic nature and other photos to illustrate my books and journals. And most recently, I began to use my realistic photographs to create different types of decks of cards for children and adults.
About 2 years ago, I “fell down a rabbit hole of creativity” using them to create abstract, kaleidoscopic and mandala style images by taking a little part of a Nature photo and playing with it in PhotoShop. Currently these can only be seen online and in gallery shows.
What does making art mean to you?
When I am in my studio or sitting at my computer, I get totally lost in the process and my imagination can run pretty wild thinking about how to take the materials at hand and create something totally unique and fun. It uplifts my spirit to honor the beauty of the feathers used in my masks and jewelry and glorify Nature in various artful ways.
I love watching people try to imagine how I went beyond what others did with fibers and feathers, and now photos when looking at my artwork. Working in my feather studio or on a computer or taking photos on my hikes always has my creative juices flowing. I am constantly looking for some new way to use the materials at hand to create a bit of awe and wonder when someone sees the finished art.
What inspires you in your art? (Are you currently exploring new themes, techniques, color palette, ideas, etc.?)
Relating to Feathers: Currently I am inspired to use up as many of the various unique types of feathers hanging around in my studio. Time to be a bit more adventurous when creating masks for Carnivale. For the holidays, including the upcoming Valentines Day, I created some larger pendants with some very fun shiny found objects to dress up even the simplest of dresses.
Relating to Photography: Nature is my most powerful inspiration. When hiking or passing a beautiful garden, I often stop to take in the amazingly beautiful natural creations that surround me. A driftwood stump or a rock formation or a bit of moss can be as enticing to my eye as a beautiful wildflower. Each one makes my heart sing and my spirit soar with joy when I take the time to really look at the beauty others pass by each day without noticing it.
I realize there are hundreds of people who take beautiful Nature photographs, so I wanted to do something a little bit different with mine. I really enjoy finding a hidden piece of a Nature photo to twist and turn into a totally unsuspected image. Watching people look deeply into the images and point out to friends what they see and get a conversation going about that image is a joy to watch.
The idea of using my Nature photos for card decks for children started with the idea of making Flash Cards, but morphed into something totally different. I have seen too many instances of how little respect people have for the natural world and can only hope that by showing how beautiful and fragile wildflowers can be starting with a card game that might inspire more kids to get out and search for them and find other reasons to respect their natural surroundings.
Walk us through your production process.
Relating to Feathers: Whether I am creating a feather mask or a piece of jewelry or a wall piece, I first need to clip all the down off the feathers I will be using. For the feather earrings, hairclips and especially for the pendants, I have to lay out the feathers to be sure they will conform to the proper shape. When using pheasant feathers with patterns, the patterns and coloration can change very quickly on each pelt, so I need to be careful to have enough of each pattern to finish a piece properly. I enjoy adding found objects to the pendants and sometimes to the hairclips to give them a bit more interest.
Masks are the most playful feathery creations I make. I believe that each one will find a face to cover and inspire the person wearing it to allow their inner child or alter ego to come out and dance and play in ways they normally wouldn’t think about doing unmasked. Manitou Springs has a Carnivale Celebration where people get into costume for the parade and playing all day. A FantaFaces mask is the perfect beginning, or ending for creating your costume for that fun day or any other masked event you might attend. (Ed. Note: Carnivale will be held on February 10, 2018.)
Relating to Photography: So, I take lots of pictures on a hike or in a garden, then sort through them to find which ones will work for which type of art project. Sitting at the computer, I will crop out extraneous objects for a book illustration or to use in a deck of cards. The real fun comes when I see a piece I want to play with to create a mandala or kaleidoscopic or abstract image. Each one of these can take hours and many twists and turns, and sometimes changes to the coloration, to get to the place I feel satisfied with the final image.
What emotions/reactions/thoughts do you want to cause/explore/achieve on the public looking at and buying your artwork?
Relating to Feathers: When someone puts on a mask, they are transformed. I have seen a dancer become a bird flitting around a crowded art festival or others take on a sinister stance and begin to sneak around the gallery. Almost everyone who puts on a mask connects to something deep inside himself or herself that wants to come out and play. Sometimes a mask will bring out a darker side to a person, but usually it brings out the child inside or some fantasy creature they long to become for a short time.
Relating to Photography, Books, and Cards: I want people to look deeply into each of the abstracted photographs using their imagination to discover images within them. I want people to use their imaginations and discover a myriad of images within each image. I enjoy asking if they can see the starting image or if it just all melts into one new piece of art.
The books I have written have very practical advice and have come from my own experiences. Essential Oils basically saved my life a couple of times. And seeing the huge amount of waste from the Commonwheel Art Festival diverted from the landfill each year is a joy to me, and all the volunteers who helped accomplish that. So, I created a book to help others learn how to recycle and compost at their events.
My journals are based on specific themes, but they are not just “blank books”. They have practical advice in the introductions and some photographs related to the journal’s subject. Each one has prompts for a person to fill in the blanks relating to that prompt. And there are extra pages to use to write more about their dreams or their hiking and camping adventures. Some have pages to sketch on or color in heart designs.
What is your recent favorite piece? And why?
Relating to Feathers: I love working with parrot and macaw feathers. They are so brilliantly colorful that they lend themselves to creating very dramatic masks. There is one that is all green feathers would make the perfect mask to create a costume such as Green Man or a garden fairy.
Relating to Photography: I have had lots of fun creating card decks using my nature photographs. The ones for children that have the names of Colorado Wildflowers and can be used to play games such as “Go Find a Wildflower” or “Memory” are my most favorite new works. I hope they will be used to get more children interacting with friends and family, while learning how to identify Colorado wildflowers. And perhaps inspire them to want to go hiking and step away from the TV and computer for a while to gain an appreciation for Nature and this beautiful planet they live on.
I think my most favorite photographic mandala is the tree standing on a rock proclaiming it will survive. Every time I see a tree growing out of a rock, I can relate to its determination to survive in the most challenging of conditions.
Where can we find your work: website, social media, local stores.
My books are also on Amazon
And then there is the Art Festival. I came to Manitou Springs in 1975 to participate in the Commonwheel Labor Day Art Festival. In January of 1976, I moved here and joined Commonwheel Artists Co-op. That summer I helped coordinate the three art festivals. By the end of that year, I was the main coordinator and have been for most of the following years.
Thankfully, we reduced the number of art festivals from three to just one. I helped these festivals change and grow, starting as we did as a group of hippies who loved and respected hand-crafted art, to a more businesslike venture. It has always only allowed artwork created and shown by the artists at the Art Festival. Local musicians play at the festival to add to the creative atmosphere. Over the last nine years, volunteers have worked hard to make it a very sustainable event by diverting up to 80% of its waste away from the landfill by sorting out compostable and recyclable items.
Each year the artwork displayed has become more and more exciting to see, making it the premiere art festival in the Pikes Peak region. I get to use my creative talents to create the ads for this event that often are brought by people looking to find the artwork of various artists being shown at the Art Festival.
Artist’s Reception, Friday, July 21, 5-8 pm
July 21- August 14, 2017
by Leti Wesolowski, contributor
Dan and Kathleen Krucoff, a husband and wife duo, are Commonwheel’s guest artists for the month of July. Dan is a photographer and Kathleen is a metalsmith and jeweler. They have longed to do a joint show featuring both their artwork.
Dan came up with the idea for “Immersion” to allow them to relay their love of the water-infused sights in Colorado and other areas they have visited through their respective media.
For this show Dan’s work consists of digital landscape photography with water as a central theme. From drops on leaves to ocean vistas, along with roaring waterfalls to still pools, he explores water in its natural forms. His goal is to leave the viewer with the feeling of being in these remarkable, inspiring places. He is focusing primarily on areas around the Pikes Peak region, but is also including subjects from other parts of the state and country.
As Kathleen began to develop new works for this show, she sought and found stones that represent water to her. Some pieces incorporate lush green Ocean Jaspers with emerald and gold accents that remind her of ocean waves. Other stones such as Leland Blue or Larimar evoke images of ponds and tranquil lakes. Kathleen has employed a variety of metalsmithing techniques such as Chasing and Repoussé to create seashells, and texturing to create sandy backgrounds in her works.
Celebrate with the artists at our opening reception on Friday July 21 at our Creekside Gallery from 5 to 8 pm, as part of the Manitou Springs ArtWalk.
This show will be on display and for sale until August 14.
When Kathleen and Dan were discussing the possibility of doing a joint show, the theme “Immersion” came from him. He thought that both of them could create art work representing water elements. For Dan, it was a great opportunity to share his digital photography and work in partnership with his wife. For Kathleen, an opportunity to incorporate to her work stones that signified water to her and enhance their natural
Dan, How did you get interested in photography?
I started in photography in my teens. I was inspired by my mother and her father, who both were interested in photography as well. In addition, my father’s love of the outdoors and wilderness helped push me towards landscapes.
What does making art mean to you?
Making art for me is about sharing a part of my life with others. Whether it is faraway places that I visit or just sharing the experience of something close by and familiar, it is always a small piece of myself that I have the benefit of showing.
What has inspired your artwork for this show?
As a landscape photographer inspiration is all around me. I always see it that God has done all the hard work and I get the privilege of getting to bring that to others. The water theme of this show ties into this, not only as a subject itself, but also as one of the primary forces that shape the landscapes around us.
What intentions or emotions do you want to express in your artwork?
The intent of “Immersion” for me is to both use water as a focal point of each image and to communicate the feeling of being there. The power and sound that come from a waterfall, or the sense of scale from looking out at the ocean, or the quiet solitude in a still reflective pool, all elicit different feelings to the viewer.
What is your favorite piece at this show and why?
My favorite piece is “Garden of the Gods Reflection”. It is my favorite because it shows how you can always find something new in locations you have been many times before. It was a bit off the beaten path and it was just so peaceful that morning with the refection of the rock formations in the pool of water from rain the night before. This image was done using the technique of High Dynamic Range (HDR). This is where multiple photos are taken at different exposures and combined to be able to show the darkest and lightest parts of the scene in all their detail.
What is your proudest achievement as a photographer?
I consider my proudest achievement as an artist to be anytime someone decides to make one of my photos a part of their home.
Where else can we find your artwork?
Currently you can see more of my work on my website: www.sufferingfomexposure.com and on my Facebook page: facebook.com/sufferingfromexposure
Kathleen, tell us about yourself.
I’ve always been involved creating art. I dabbled with oil painting and fell in love with doing stained glass. Then, in 2007, I started to experiment with fused glass. I would wire wrap the glass cabochons I made. Through those pieces, I met a metalsmith who said she could take my work to the next level. In 2008, I took lessons from her and things just sort of grew from that.
It’s important to me to continue to learn and grow as an artist. Living where I do, I have had the good fortune to take a number of workshops from masters in their field, which has helped my work to improve.
What does making art mean to you?
Being an artist is an essential part of who I am. It is as important to my life as breathing is. I am able to express myself through my work. I have always loved working with my hands; metalwork provides some of the fulfillment I seek in my life.
Where does your inspiration comes from?
My work is very organic because I am heavily influenced by nature. My dad did landscape work so he would take me with him on some of his jobs. I learned an appreciation for plants and trees by observing his care of them. He would explain their importance and I think that instilled a lot of my love for the unique beauty I find in leaves, bark, anything organic.
Are you exploring a new theme for this show?
Yes, I definitely explored a new theme for this show. Initially I thought the bulk of my work would be in Chasing & Repoussé. However, I discovered that I could use stones like fossilized coral and sand dollars, among others to convey meaning. I decided to add little touches of gold and faceted gemstones to emphasize the beauty of the natural stones. I even created some new earrings that signify waves to me. They are lightweight and sort of shimmer like water in the light.
What intentions or thoughts do you want to express in your jewelry?
The goal with any of my pieces is to create something as unique as the wearer. Just as no two leaves are alike, neither are any two of my pieces. I strive to create one of a kind, wearable art.
A little bit of me is embedded into each of my works. I tend to make each piece as if it was meant for me… I work to ‘listen’ to a stone so I am guided to create (what) is destined to become.
What is your favorite piece at this show and why?
It’s hard to pick just one. I have to say the turquoise pendant that I call “Ocean Blue” is my favorite. It blends all the elements that came together as I worked on the pieces for “Immersion.” Tranquil light blue in the turquoise, a flush set Sapphire and then gold accents. This one even has a gold bezel around that luscious turquoise. Rich, sand like texture reminds me of a day at the ocean.
What’s next for you?
I have tentative plans to go to Florence, Italy next year and take another Chasing & Repoussé workshop from the Italian Master Fabrizio Acquafresca. That would be a dream come true.
One of the many things my preparations for the exhibit taught me was to be prepared for change. I am so grateful to see the growth in my work and as an artist. It has been wonderful to collaborate with my husband Dan as he is one of my biggest fans and supporters. I feel very blessed.
Where else can we find your artwork?
My work is carried at Boulder Arts and Crafts in Boulder, CO and also at Luma at the Broadmoor here in Colorado Springs.
My website: http://www.kathleenkrucoff.com
My Facebook page: https://www.facebook.com/KathleenKrucoffArtJewelry/
And my Instagram: https://www.instagram.com/kathleenkrucoff/
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