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​“Immersion”

7/20/2017

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Artist’s Reception, Friday, July 21, 5-8 pm
July 21- August 14, 2017
 
 
Immersion
by Leti Wesolowski, contributor
 
 
Dan and Kathleen Krucoff, a husband and wife duo, are Commonwheel’s guest artists for the month of July. Dan is a photographer and Kathleen is a metalsmith and jeweler. They have longed to do a joint show featuring both their artwork.
 
Dan came up with the idea for “Immersion” to allow them to relay their love of the water-infused sights in Colorado and other areas they have visited through their respective media.
 
For this show Dan’s work consists of digital landscape photography with water as a central theme. From drops on leaves to ocean vistas, along with roaring waterfalls to still pools, he explores water in its natural forms. His goal is to leave the viewer with the feeling of being in these remarkable, inspiring places. He is focusing primarily on areas around the Pikes Peak region, but is also including subjects from other parts of the state and country.
 
As Kathleen began to develop new works for this show, she sought and found stones that represent water to her. Some pieces incorporate lush green Ocean Jaspers with emerald and gold accents that remind her of ocean waves. Other stones such as Leland Blue or Larimar evoke images of ponds and tranquil lakes. Kathleen has employed a variety of metalsmithing techniques such as Chasing and Repoussé to create seashells, and texturing to create sandy backgrounds in her works.
 
Celebrate with the artists at our opening reception on Friday July 21 at our Creekside Gallery from 5 to 8 pm, as part of the Manitou Springs ArtWalk.
 
This show will be on display and for sale until August 14.
 
 
 
 
 
When Kathleen and Dan were discussing the possibility of doing a joint show, the theme “Immersion” came from him. He thought that both of them could create art work representing water elements. For Dan, it was a great opportunity to share his digital photography and work in partnership with his wife. For Kathleen, an opportunity to incorporate to her work stones that signified water to her and enhance their natural
beauty.
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Dan, How did you get interested in photography?

I started in photography in my teens. I was inspired by my mother and her father, who both were interested in photography as well. In addition, my father’s love of the outdoors and wilderness helped push me towards landscapes.
 
What does making art mean to you?​

Making art for me is about sharing a part of my life with others. Whether it is faraway places that I visit or just sharing the experience of something close by and familiar, it is always a small piece of myself that I have the benefit of showing.
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"Bear Lake" by Dan Krucoff
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"Cub Lake" by Dan Krucoff
What has inspired your artwork for this show?​

As a landscape photographer inspiration is all around me. I always see it that God has done all the hard work and I get the privilege of getting to bring that to others. The water theme of this show ties into this, not only as a subject itself, but also as one of the primary forces that shape the landscapes around us.
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"Helen Hunt Falls" by Dan Krucoff
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"Rampart Reservoir" by Dan Krucoff
What intentions or emotions do you want to express in your artwork?

The intent of “Immersion” for me is to both use water as a focal point of each image and to communicate the feeling of being there. The power and sound that come from a waterfall, or the sense of scale from looking out at the ocean, or the quiet solitude in a still reflective pool, all elicit different feelings to the viewer.​

 
What is your favorite piece at this show and why?

My favorite piece is “Garden of the Gods Reflection”. It is my favorite because it shows how you can always find something new in locations you have been many times before. It was a bit off the beaten path and it was just so peaceful that morning with the refection of the rock formations in the pool of water from rain the night before. This image was done using the technique of High Dynamic Range (HDR). This is where multiple photos are taken at different exposures and combined to be able to show the darkest and lightest parts of the scene in all their detail.
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"Garden of the Gods Reflection" by Dan Krucoff
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Dan Krucoff at work
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"Alberta Falls" by Dan Krucoff
What is your proudest achievement as a photographer?​

I consider my proudest achievement as an artist to be anytime someone decides to make one of my photos a part of their home.
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"Saint Vrain Cascade" by Dan Krucoff
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"Coquille River Lighthouse" by Dan Krucoff
Where else can we find your artwork?
 
Currently you can see more of my work on my website: www.sufferingfomexposure.com and on my Facebook page: facebook.com/sufferingfromexposure
 


 
Kathleen, tell us about yourself.
 
I’ve always been involved creating art. I dabbled with oil painting and fell in love with doing stained glass. Then, in 2007, I started to experiment with fused glass. I would wire wrap the glass cabochons I made. Through those pieces, I met a metalsmith who said she could take my work to the next level. In 2008, I took lessons from her and things just sort of grew from that.
It’s important to me to continue to learn and grow as an artist. Living where I do, I have had the good fortune to take a number of workshops from masters in their field, which has helped my work to improve.
 

What does making art mean to you?

Being an artist is an essential part of who I am. It is as important to my life as breathing is. I am able to express myself through my work. I have always loved working with my hands; metalwork provides some of the fulfillment I seek in my life.
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Pendant with Turquoise by Kathleen Krucoff
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Earrings with Amethyst by Kathleen Krucoff
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Jasper Pendant by Kathleen Krucoff
Where does your inspiration comes from?
My work is very organic because I am heavily influenced by nature. My dad did landscape work so he would take me with him on some of his jobs. I learned an appreciation for plants and trees by observing his care of them. He would explain their importance and I think that instilled a lot of my love for the unique beauty I find in leaves, bark, anything organic.
 
Are you exploring a new theme for this show?
Yes, I definitely explored a new theme for this show. Initially I thought the bulk of my work would be in Chasing & Repoussé. However, I discovered that I could use stones like fossilized coral and sand dollars, among others to convey meaning. I decided to add little touches of gold and faceted gemstones to emphasize the beauty of the natural stones. I even created some new earrings that signify waves to me. They are lightweight and sort of shimmer like water in the light.
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Fossilized coral cuff by Kathleen Krucoff
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Sea Trails with Emeralds by Kathleen Krucoff
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Ocean Jasper Pendant by Kathleen Krucoff
​What intentions or thoughts do you want to express in your jewelry?
The goal with any of my pieces is to create something as unique as the wearer. Just as no two leaves are alike, neither are any two of my pieces. I strive to create one of a kind, wearable art.
A little bit of me is embedded into each of my works. I tend to make each piece as if it was meant for me… I work to ‘listen’ to a stone so I am guided to create (what) is destined to become.
 
What is your favorite piece at this show and why?
It’s hard to pick just one. I have to say the turquoise pendant that I call “Ocean Blue” is my favorite. It blends all the elements that came together as I worked on the pieces for “Immersion.” Tranquil light blue in the turquoise, a flush set Sapphire and then gold accents. This one even has a gold bezel around that luscious turquoise. Rich, sand like texture reminds me of a day at the ocean.
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Kathleen’s favorite by Kathleen Krucoff
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Pariba topaz gold earrings by Kathleen Krucoff
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Sunrise Jasper Pendant by Kathleen Krucoff
What’s next for you?

I have tentative plans to go to Florence, Italy next year and take another Chasing & Repoussé workshop from the Italian Master Fabrizio Acquafresca. That would be a dream come true.

One of the many things my preparations for the exhibit taught me was to be prepared for change. I am so grateful to see the growth in my work and as an artist. It has been wonderful to collaborate with my husband Dan as he is one of my biggest fans and supporters. I feel very blessed.
 

Where else can we find your artwork?

My work is carried at Boulder Arts and Crafts in Boulder, CO and also at Luma at the Broadmoor here in Colorado Springs.

My website: http://www.kathleenkrucoff.com
My Facebook page: https://www.facebook.com/KathleenKrucoffArtJewelry/
And my Instagram: https://www.instagram.com/kathleenkrucoff/
 
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Mandala--art in the round

3/19/2017

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by Leti Wesolowski

We put out a call for mandala-related art and our local artists stepped up to the challenge. The “Mandala” show currently in our gallery is the result.

 
17 artists brought in mandala-related art from diverse points of views and inspiration—from patterns of nature, symbols from different cultures, colors, and the practice of centering and meditation.  The works explore multiple medias but all embody the concept of “mandala”: fused glass; watercolor; digital photography; bronze, silver, and copper; precious metal clays; mixed media; stained glass; laser-cut wood; hand stamped clay; polymer clay; engraved terracotta; vinyl records; color pencil drawings; and more.
 
We invite you to contemplate mandalas made by local artists and discover which one evokes feelings of peace, balance, unity and strength that resonate with you. Let them work their magic on your life and allow your mind to wander into the beauty of mandalas.
 
“Mandala” comes from a Sanskrit word that means “circle or disc”.
 
In art, mandala is often a symbolic pattern usually in the form of a circle within a square divided into four symmetric sections containing a unifying center from which geometric shapes and symbols radiate outwards.
 
“The mandala is an archetypal image whose occurrence is attested throughout the ages. It signifies the wholeness of the Self.” —Carl G. Jung, Memories, Dreams and Reflections
 
Embraced by many religions and cultures around the world, a mandala represents wholeness and the connection between inner self and outer reality.
 
“In Christianity, there are a number of sacred images and ritual invocations that use the circular shape to connect the spiritual realm with the earthly realm”, says figurative sculptor Marica Hefti. “The placement of divine beings, angelic figures, and holy personages at crucial positions within the circular (stained glass) windows (of Christian cathedrals) establishes the powerful storyline of Christian beliefs”.
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Marica’s mandalas are hand sculpted and engraved terra cotta pieces. She hopes to express her fervent prayers for peace and harmony in our country through the visualization power of the mandala.


​Hindus were one of the first people to use mandalas as spiritual tools. Native Americans use mandalas as shields of good luck, prosperity, wealth and happiness. Buddhist monks create sand mandalas, a process that takes days to create, then sweep it and pour it into a river, to symbolize the never-ending cycle of life.

 
“A concept of new beginnings, forms of life itself” says Tracey Eastland when asked to explain what a mandala means to him.
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Tracey plays with constant movement, changing forms and vibrant colors to create his outstanding grids of polymer clay tiles, each one different from the next.

Mandala is used in spiritual practices as a focal point for meditation, self-awareness, and healing.

​For digital photographer Teri Rowan, a mandala is “meant to inspire meditation and introspection” or can be admired for just its beauty. 
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Teri was inspired by her deep connection with both the power and peace of the ocean, blending digitally images such as the tail of a mermaid and a butterfly in ultramarine blue, green and purple.

​Metalsmith Kathleen Krucoff thinks a mandala is “a beautiful symbol to convey positive messages of encouragement and support”.
 
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Inspired by sci-fi movies and her imagination, Kathleen fabricated her jewelry by soldering bronze organic shapes onto matte sterling silver backgrounds to keep it classic and simple.

​In art, mandala has become a generic term for any diagram, chart, or geometric pattern that represents the center of the universe, metaphysically or symbolically.

 
For Jewelry artist Connie Lorig, a mandala represents “a complex dance between unity and diversity, between the parts and the whole.” ​
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Connie has created jewelry pendants inspired by flowers. “For me, a flower is the paradigm of a mandala”.

 
For artist Sheila Hewlett, mandala means the continuity of life. 
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Sheila starts with a circle and a center, and follow her personal process after meditation.

 
Commonwheel artist Julia Wright takes pictures of nature during her hikes and then edit them on her computer to create hypnotic mandalas. ​
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Julia uses her abstract nature photos to create mandalas.
Designing a mandala is a unique personal experience in which the individual lets the creative mind to run free and find the symphony of shapes, colors and patterns to represent their unique sense of self and view of reality.
 
Sculptor m.jo hart says “mandalas represent the process and meditation involved in creating her work”, which is focused on women’s issues, unique stories and experiences. ​
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Her clay piece, a cube shaped mandala with five different sides, depicts intentional imperfections and cracks mirroring society and the diversity of women hopes, lives and experiences across the globe.
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Mandalas can be created by individuals to symbolize their journeys through life, their state of mind or to tell their personal story.
 
Some of our artists got inspired by Celtic art, such as lampwork artists Jon Murray and Amanda Shotts who incorporate in their mandala barrettes “a circular pattern that has no beginning and no ending, signifying infinity of love!”
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Jon and Amanda used the Carrick Bend knot in their hair clips to show their Irish ancestry.

​Or Glass artist Sabine Wachs who “was drawn to the Celtic spiral mandalas used as symbols of the sun powering all life”. 
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Sabine’s spiral represents the growth of nature as well as our personal growth.

​Jeweler Mary Cowdery got inspired by the yin-yang symbol, repetition and balance. 
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Mary used a laser cutter to create her centerpiece, adding bead work and color.

​Artist Ray Jordan loves bright whimsical colors. His biggest inspiration is combining bright colors with his love of painting, drawing and cutting wood. 
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Ray starts with a raw cigar box, he draws the mandala, comes up with a color scheme, adds cut plywood pieces and applies the finishing touches to create his whimsical boxes full of color and life!


​Kendrick Cowdery has a strong desire to maintain peace in his life. His handmade mandala lamp is built on mat board using a laser cutter and colorful translucent paper. 
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Kendrick expresses the never ending circle of life with his colorful stencil-like mandala lamp.

​
Several artists took it as a chance to explore new themes and materials, such as mosaic artist Juanita Canzoneri who jumped at the opportunity to play with alcohol inks and raid her stash of stained glass. She found that, during the process, mos of her work reminded her of an art form from her childhood in eastern Pennsylvania.
Others worked in new themes with their primary media, such as potter Jennifer Hanson who creates mandalas on her clay dishes with different hand stamps. 
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Jennifer finds the infinity of nature as a never-ending circle.

​Or illustrator and mixed media artist Kelly Green who finds that vinyl albums automatically lend themselves to the mandala format.
 
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Kelly lets her full imagination express her deepest thoughts and social commentary on her mandalas.

​Creating a mandala can be an enriching personal experience. To draw a mandala, one starts by “drawing the circle, setting an intention, centering through a meditation, usually start at the “bindu” sacred center and follow inspiration that comes” explains Mandala instructor Anne Roe. She sees mandalas “as “windows to the soul”, sacred circles and opportunities for the soulful self to express authentically”.
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Anne explores states of being such as tranquility, balance, oneness and unity in her beautiful mandalas.
Sometimes mandalas are created to evoke feelings of peace and contentment on the observer.  Kathleen Krucoff, for example, wanted her pieces to “help the wearer feel empowered” focusing in tranquility and strength. Ray Jordan wanted to “bring a smile to the art viewer mind and make them think”.
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Front Range Open Studios Preview Event

7/12/2016

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Richard Pankratz
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Nancy Bonig
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Kathleen Krucoff
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Dan Rieple
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Jodie Bliss
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Frank and Ginny Maiolo
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Dennis and Kay Liggett
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Terre Christensen
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Milo Scott
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BarbaraZiek
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Claudia Dimidik
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John Haines--Clay N Colors
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Walt Moore--Clay N Colors
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Carolanne Ryan--Clay N Colors
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Dusty Severn--Clay N Colors
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Liz Kettle
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Mary Lou Pape
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Jo Gaston
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Wilhemina Steenbergen
​by Juanita Canzoneri

The Front Range Open Studios Tour is the only studio tour in the state where every location is the actual working studio of the artist present. They put great emphasis on educating the public as to where and how fine art and craft are made. They offer more to the public than just finished product. There is a greater variety of art forms presented which allows the public to gain a better understanding of why art costs what it does.
 
 
Around the mid 90’s Richard Pankratz realized that the work he wanted to create was very sculptural. He also realized that bronze was the medium he wanted to work in.
 
Art is a communication medium. Richard strives to connect with and develop relationships with people through this common love of art. He loves sculpting because it gives him the opportunity to think great thoughts and contemplate universal solutions. The consistent theme running through his current work can be summarized in the choice we have to love one another and realize the inherent sameness and interconnectedness between us.
 
Richard recently completed public art installations for Edmond, OK and Loveland, CO. Recent Corporate collectors include Kaiser Permanente in Colorado Springs, CO and Saint Elizabeth Hospital in Lincoln, NB.
 
 
Nancy Bonig designs and creates most of her kiln-worked glass with the hope that it will bring as much pleasure to the person who buys is, as they did to her. The design process starts with the finished piece in mind—it’s final size, shape, bend and function. Nancy draw on the influences of the Art Deco period, with its sleek, geometric forms and stylized imagery in decoration and design, and experiments with line, color, texture and balance to achieve a pleasing whole.
 
“I try to learn something new with each project, whether it be design, color combinations or firing techniques. Working with glass, I have learned to respect the material, be awed by its transformation with heat, and to wonder at future possibilities.”
 
 
Kathleen Krucoff works in ferrous and non-ferrous metals. She states, “I have never been one to color inside the lines, so why should my work be constrained by any limits? Being creative is a way of life for me. My father was a landscaper and taught me to love and respect nature. I think that is why you will find an organic quality in the pieces I create.”
 
Kathleen’s work is comprised of silver, gold, natural stones and gemstones
 
 
Dan Rieple’s interest in wood and woodworking began with his father, a brick and stonemason, whose hobby was furniture making. An industrial arts program at age 14 turned the embers into a flame. In addition to being self-taught, Dan earned an Industrial Arts degree from CSU. After a short stint of teaching, followed by a longer stint in architectural woodwork, he is at last designing and building functional works of art. He loves turning material that is normally rejected into something admired and functional.
 
“I like seeing the pleased expression when someone feels the soft curves and surfaces on a piece that I've made,” Dan says. “Besides being visually pleasing and perhaps even provocative, art furniture should stir a person to a point where the desire to touch is irresistible.”
 
 
Jodie Bliss has been working in metal for over 13 years. In those years she evolved from jewelry fabrication into larger steel sculpture fabrication and eventually into blacksmithing. The major theme that interests Jodie is that of “Identity Construction”. Throughout the last decade Jodie has produced several series of masks, portraits and abstracts all relating back to the exploration of the power that lies behind the way each of us creates and evolves our personal character.
 
Jodie has been participating in Front Range Open Studios since she first arrived in Monument in 2012. From the inception of the relationship it has been a fantastic weekend for introducing the community to what goes on in Bliss Studio & Gallery in Monument. In addition to the coordination of the tour weekend itself, Nancy Bonig, the owner of Front Range Open Studios, has done so much to promote the arts and artists in the community and to bring us all together as a group.
 
 
Frank and Ginny Maiolo
As a jewelry artist and metalsmith Frank Maiolo’s goal is to create works that are an extension of his inner self and emotions and that resonate with others. Jewelry is intimate and needs to satisfy the sense of touch with pleasing textures and delight the eye with elegant lines, shapes and color. Frank’s materials choose how they are going to be shaped and though it is not the most efficient method, he typically designs as he works. The tactile nature of the metals, gems and materials can take on a life of their own and help guide him through the creative process.
 
Collecting shells, sea glass, rocks and myriad other treasures consumed Ginny Maiolo as a child. Reflection on these collections and the organic nature of the items expose a primitive quality to the jewelry she creates. Her designs incorporate the organic diversity of the patterns of earth and sky. In 2007 the artist emerged from the depths of her being and cried out for freedom. She was 58 when she began painting. In 2012 she started working with metal and found the tactile expression that metalsmithing provides. The personal connection she finds with the materials is a sensory encounter that is unequaled. The metals are raw and malleable and waiting to tell a story. Her color palate is currently reds, yellows, oranges and the blues and greens of sea glass.
 
 
Tactile and personal, the tools, art, and wooden artifacts made by Dennis and Kay Liggett are meant to be touched and used in daily life.
 
‘Notions’ is an old retail category for exactly these kinds of beautiful things.
 
In 2016, the Liggetts will feature traditional turned accessories, tools, bowls, and fruit with inventive surface design, as well as new interpretations and combinations of traditional quilting techniques. Dennis and Kay both work on the wood lathe. Kay also uses fabrics, paints, brush, and sewing machines in her work.
 
 
Starting as a hobbyist in 1994, Terre Christensen turned a pastime into a wholesale business in 2009. She honed her skills experimenting with different methods of fabrication and firing. Each piece is intended to be a unique work of art, not a mass produced duplicate of what someone else might offer.
 
Terre is appealed by the unpredictability of Raku; the colors, metallic qualities, and textures which transform a simple piece into something distinctive and interesting. Her pieces are carefully crafted with attention to details and composition. In the final step, control is surrendered to the kiln, glazes, and air temps which render one-of-a-kind treasures.
 
 
Milo Scott enjoys creating 3-D art. There is something about being able to hold a piece, turning it, watching the light reflect off the surfaces that simply can’t be duplicated by other mediums. Wood is one of her favorite substances to work with. Even after a tree has stopped being a live plant, it continues to show a “life”. It is an amazing thing to see the worst looking part of a tree, twisted and knotted, worked into a vessel that contains marbleized holographic reflections simply by removing layers to expose the beauty that was always just under the surface. Wood is an item that can be fashioned into nearly any shape, but, sometimes; the wood wins. Many of the pieces Milo creates utilize “leftovers” from other wood industries. Laminations and segmenting methods combine different species of wood which equates to painting in 3-D with Mother Nature’s finest works.
 
 
Barbara Ziek and her husband raise and live with alpacas. He shears them once a year and Barbara sorts and grade the fleeces. “What do you DO with them,” people invariably ask when they meet the alpacas. You use their fiber!
 
So, what is her art? She felts the alpacas’ fleece. Felt is a very hands-on, fluid (quite literally fluid—felt is made with lots of water) and somewhat mysterious form of fiber art. She rolls, stretches, compresses, pounds, and throws the wet mass of fiber to make felt. Along the way, each fleece shows its individuality. “I particularly enjoy exploring texture, form and color through the fluidity and physicality of making felt. Because of the unique qualities of every fleece and the way it responds to felt making processes, my initial plan for a piece of art never ends quite as I planned. Usually it’s better.”
 
 
Claudia Dimidik’s aspirations for art began in grade school when she took an award for a watercolor painting. This then led to a focus on the arts where she offered to create and design logos, brochures and murals. Trained and credentialed with a B. A. in Art Education, her desire to learn more than one style of art led her earn an M.A. in Fine Arts degree.
 
After teaching eight years of darkroom photography she took on the challenge of implementing a computer art course for the district and then shared this knowledge by teaching community education courses. However, her desire for paint and sculpture would not subside. As an active member in the arts community, Claudia has taken numerous awards and recognition for her photographs, digital art, prints and paintings.
 
Claudia is known for her landscapes, which she describes as influenced by Ansel Adams. Her collages and montages are also in color and influenced by Jerry Ueslmann. Claudia admits that color is important and although she continues to work with themes and childhood memories her current series are batiks on rice paper as she is excited to see spring flowers!
 
 
Clay N Colors
John Haines is currently pursuing a lifelong interest in creation of art, in both two and three-dimensions. His present focus is art pottery (mainly wheel thrown, working in traditional firing and Raku) and watercolor painting.
 
In recent years John has developed his skills in watercolor and ceramics (pottery). For the latter, he has studied under local potters Jeremiah Houck and Jamie Howard.
 
John’s artistic view can best be described as collaborative, where the medium and the artist each bring specific elements to the production of the final work. “I respect this relationship in all my artistic endeavors and particularly in working with clay, where the characteristics of the clay and the processes to bring it to final form work together with the inspiration and guidance of the artist to produce the final object. This relationship also speaks directly to my current interest in the watercolor medium.”
 
Walt Moore is a potter who creates wheel-thrown art. He makes tableware for household use and artistic pieces for decoration and aesthetic enjoyment. He uses gas, electric and Raku kilns and hopes to try wood firing soon.  He is constantly expanding his line of pottery and learning new techniques and styles. He expresses himself in throwing, altering, carving, and glazing his forms. Nature is his muse and many of his pieces exemplify this interest in the world around us.
 
Carolanne Ryan: “Being a native of Colorado has given me inspiration to capture the abundant beauty and serenity that surrounds me. Expressing these qualities through artistic media has been my focus and passion since I was a child. Currently, working with clay has enabled and challenged me to openly display my emotions, experience, awareness and spirit. I am dedicated to applying these principles in my art and my life, always striving to enrich and share the profound beauty of life, as I see it!”
 
Dusty Severn had an adventure-filled life before embarking on her exploration of the arts. As a military wife, she followed her husband, Ted, around the world raising five children. A firm believer in building teams, she enjoys being a part of the co-op Clay N Colors. As a potter, she loves the tactile experience, creating shapes, and the surprise of opening up the kiln after a glaze firing! Most of all, because of her husband's generosity, she is thankful to be able to donate any funds that are generated to charity. This newfound passion has opened her mind to explore other media in art.
 
Amy Taube is the newest member of the Clay N Colors co-op. We were unable to obtain her bio or images before publishing this blog post.
 
 
Liz Kettle tells tales that are personal as well as those that speak of relationship, humanity and the earth. She chose the untraditional fine art palette of fabric and stitch because I believe they connect us and draw us closer in a way that cannot be achieved with traditional art materials alone. She uses a variety of techniques drawing from the deep wells of quilting, mixed media collage and paint to tell and support each unique story.
 
Liz is passionate about teaching and has co-authored two books; Fabric Embellishing: the Basics and Beyond and Threads: the Basics and Beyond. I am also solo author of First Time Beading on Fabric. I have articles published in Quilter’s Home, Quilting Arts, Quilting Arts In Stitches, and Cloth Paper Scissors Studios. She has also appeared in the PBS show Quilting Arts TV.
 
 
Award winning artist Mary Lou Pape paints animals in oils or pastels with a close up view of their world. From wildlife to domestic animals, she paints from personal experience, striving to capture each animal’s unique characteristics with feeling and the dignity they deserve.
 
“I hope my paintings reflect the respect I have for the animals that share our world. I am drawn to close up portraits of the animals and their environment and love dramatic light and shadow. I paint from my own references and personal experience, striving to portray each one with dignity and feeling.”
 
 
Jo Gaston enjoys painting the intricate shapes and glowing colors of vegetables and flowers. With these subjects, her approach is essentially representational, though she does take artistic freedoms and often relies on close-up views to emphasize abstract undertones.
 
“As a watercolor artist, I am also intrigued by the bold shapes and rich colors of saddles, harnesses, and other tack. My work has a strong representational basis—a well-designed saddle or stirrup is itself an artist’s dream of form, texture, and subtle color gradations. So my stirrups generally look like stirrups, and you won’t mistake a saddle horn for a concha in one of my paintings. But I make full use of my artistic freedom to combine, simplify, emphasize, and see with the mind’s eye to make the artistic experience of these subjects as rich as possible. My approach often leads viewers to find powerful abstract qualities in what are finally realistic images.”
 
Jo works in transparent watercolor, layering washes when necessary to create colors that are as deep, dramatic, and rich as the colors she finds in the tooled leather and other natural surfaces.
 
“There is so much beauty in this world, and I just enjoy trying to capture that in my paintings whether it’s flowers, vegetables or Western tack. It’s all fun to paint.”
 
 
For Wilhemina Steenbergen, shaping in hand-made paper developed from earlier free-form pottery work. In the color finish she will often try to recreate the metallic effects of Raku glazing. Her fascination with texture also finds an outlet in the pieces she creates. Found objects or fabrics are sometimes included, but she do not define my work as collages, rather as sculptures. Themes and shapes are derived from nature, the seasons and her daily experiences.
 
“In this display I try to demonstrate the capabilities of forming in hand-made paper. I can create shapes and textures more freely than in clay and the finish with acrylic paint gives the pieces the unique look of metal or stone.”
 

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Botanical Expressions--The Thoughtful Reflections of Two Artists

5/15/2016

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(We asked Kathleen Krucoff to be a guest blogger for us and to talk about her show with Jo Gaston--Botanical Expressions.)

On May 20th, the Botanical Expressions Exhibit opens at Commonwheel Artists Co-op in Manitou Springs, CO. and runs through June 13th.

My Chasing & Repoussé art jewelry and Jo Gaston's watercolor paintings will be displayed with our interpretations of elements in nature that we find most beautiful. In some cases we discussed having works that were of the same subject matter such as acorns and aspens. Of course there will be others that embody our love of a particular species.

This is the first time I have prepared and submitted a proposal with a particular theme. Both Jo & I are extremely grateful to Commonwheel Artists Co-op for providing not only the opportunity, but the venue for an exhibit of this kind. Earlier this year, Commonwheel remodeled and their Creekside Gallery room is perfect for visiting artists like Jo and myself to display our works.

As I prepared, I envisioned demonstrating the many diverse art jewelry forms that can be created through the ancient art of Chasing & Repoussé. With that thought in mind, I also wanted to show the different types of metal I can incorporate into my work.  Although the majority of my work in this show is in sterling silver, I was able to utilize steel with fused gold and Japanese alloys like Shibuichi and Shakudo.

As an artist, I am always looking for ways to challenge myself. Doing a show of this nature pushes one to be even more creative. Prior to getting ready for this event, my main focus with Chasing & Repoussé has been creating cuffs. The canvas for that type of jewelry is larger and gave me a lot of freedom to express my organic style.

However, I was able to create a new body of work for this exhibit. To my surprise and delight, I discovered how completely Chasing & Repoussé lent itself to creating delicate works with minute details. The metal moved beautifully and I was thrilled to discover all I envisioned coming to life.

My belief is anytime you step outside of your comfort zone, something wonderful will happen. In this case, fresh ideas, new work and friendships are just the start of the positive impact this event has already had on my life and my work.

I hope that you will be able to join us for this unique, insightful visual display of the thoughtful reflections of two artists.

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    Juanita Canzoneri
    Co-op Member 2004-2019, mosaic artist, Marketing Manager/Shop Coordinator, former co-op treasurer and president.

    Julia L. Wright
    Co-op member since 1976, feather artist, digital photography artist, Festival Coordinator and blog contributor.

    Leti Wesolowski
    Co-op member since 2014, jeweler designer, gallery curator and blog contributor.

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